Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
AFI Fest·2 min readAFI DOCS 2020 Review: A Politician is Shown Truly Moving the Needle in “Jimmy Carter: Rock ‘N’ Roll President”
AFI FestReviews·2 min readAFI Fest 2023 Review: “Smoke Sauna Sisterhood” Affords a Chance to Blow Off Some Steam
AFI FestReviews·2 min readAFI Fest ’13 Review: Rick Rosenthal’s “Drones” Strikes Efficiently and Effectively
AFI FestTIFF·10 min readInterview: Arielle Holmes and Josh & Benny Safdie on the Transcendent “Heaven Knows What”
AFI FestReviews·2 min readAFI Fest 2023 Review: Not a Second is Wasted in Wim Wenders’ “Perfect Days”
AFI FestReviews·2 min readAFI Fest 2020 Review: A Romance Takes Time in Angel Kristi Williams’ Seductive “Really Love”
AFI FestReviewsSXSW·3 min readReview: Jemaine Clement and Taika Waititi Draw Blood in the Vampire Mock Doc “What We Do in the Shadows”
AFI FestInterviews·10 min readInterview: Arie and Chuko Esiri on Not Losing Sight of Life in the City in “Eyimofe (This is My Desire)”
AFI FestReviews·2 min readAFI Docs 2020 Review: Maia Lekow and Christopher King Open Up a Wild Tale with “The Letter”
AFI FestInterviews·10 min readInterview: Dominga Sotomayor on Making Memories with Cinema in “Too Late to Die Young”
AFI FestReviews·2 min readAFI Docs 2020 Review: A Musician Gives Voice to a Community Grappling with Violence in “Freedia Got a Gun”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”