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Interview: Hannes Holm on Bringing a Smile to “A Man Called Ove”

The fun-loving director of Sweden's bittersweet Oscar aspirant talks about how the story of a curmudgeon who finds a sense of purpose renewed his as well.

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Camden Film Fest 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

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Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
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How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

TIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”

TIFF 2021 Review: A Musician Must Find His Rhythm Amidst the Blues in Thyrone Tommy’s Rapturous “Learn to Swim”

Jessica Beshir on Exploring Sacred Spaces in “Faya Dayi”

TIFF 2021 Review: Clio Barnard’s Irresistibly Jubilant “Ali & Ava” Charts a Delicate Dance Towards Romance

Interview: James Napier Robertson on Betting on “The Dark Horse”

Volvo

Interview: Hannes Holm on Bringing a Smile to “A Man Called Ove”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

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