September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 12, 2026 TIFF 2026 Review: An Individual Betrayal Touches Everyone in Benjamin Naishtat’s Compelling “Glaxo”
September 12, 2026 TIFF 2026 Review: Friends Search for Higher Ground in Irene Dionosio’s Volcanic “Idda”
September 10, 2023 TIFF 2023 Review: An Artist Spinning Their Wheels Leads to Success in Chris Wilcha’s “Flipside”
September 10, 2023 TIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
September 10, 2023 TIFF 2023 Review: Chloe Robichaud’s “Days of Happiness” Brings a Sense of Satisfaction
September 9, 2023 TIFF 2023 Review: Azazel Jacobs’ “His Three Daughters” is an Irresistible Family Affair
September 8, 2023 TIFF 2023 Interview: Ivete Lucas and Patrick Bresnan on a Celebration of Life in “The Passing”
September 8, 2023 TIFF 2023 Review: “Green Border” Crisply Captures a Situation That’s Rough Around the Edges
September 7, 2023 TIFF 2023 Interview: Eva Thomas on Giving Herself the Greenlight to Make “Redlights”
