May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 20, 2025 Cannes 2025 Review: There’s a Method Behind the Madness in Julia Kowalski’s Unnerving “Her Will Be Done”
May 20, 2025 Cannes 2025 Review: Pedro Cabeleira Crafts a Fine Power Play with the Crime Drama “Entroncamento”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 20, 2025 Cannes 2025 Review: There’s a Method Behind the Madness in Julia Kowalski’s Unnerving “Her Will Be Done”
May 20, 2025 Cannes 2025 Review: Pedro Cabeleira Crafts a Fine Power Play with the Crime Drama “Entroncamento”
September 13, 2021 TIFF 2021 Interview: Kausar Mohammed and Fawzia Mirza on a Trial By Chai in “Syed Family Xmas Eve Game Night”
September 13, 2021 Toronto Film Fest 2021 Review: A Wrong Diagnosis is Righted in Melanie Laurent’s Spirited Drama “The Mad Woman’s Ball”
September 12, 2021 TIFF 2021 Review: Daniel Carsenty and Mohammed Abugeth’s “The Devil’s Drivers” Charts a Difficult Road Ahead for Israel and Palestine
September 12, 2021 TIFF 2021 Interview: Penny Lane on Exploring the Rougher Edges Around the Popularity of Smooth Jazz in “Listening to Kenny G”
September 11, 2021 TIFF 2021 Review: “Mlumgu Wam (Good Madam)” Sensationally Serves Up the Ongoing Horrors of Apartheid
September 10, 2021 TIFF 2021 Review: A Standoff Leads You to Sit Up in Stefan Forbes’ “Hold Your Fire”
September 10, 2021 TIFF 2021 Review: Luàna Bajrami’s “The Hill Where Lionesses Roar” Lets Out a Resounding Rebel Yell
September 10, 2021 TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”
