September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
April 23, 2018 Tribeca: 18 Review: “Seven Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh”
March 13, 2018 SXSW ’18 Review: Jackie Van Beek & Madeleine Sami Bring Down the House in “The Breaker Upperers”
March 19, 2014 Review: Jemaine Clement and Taika Waititi Draw Blood in the Vampire Mock Doc “What We Do in the Shadows”
February 29, 2012 Interview: Taika Waititi on “Boy,” the Boredom of Acting and the Excitement of Childhood
