The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Cleveland Film Fest 2023 Interview: Schon Duncan, Keli Gonzales, Jacob Koestler and Michael McDermit on Finding Their Way with Words in “ᏓᏗᏬᏂᏏ (We Will Speak)”

    SXSW 2023 Interview: Miranda Yousef on Capturing All the Different Shades of Thomas Kinkade in “Art for Everybody”

    SXSW 2023 Interview: Scott Lazer on Making Quite the Catch in “Ball People”

  • Reviews
    Reviews

    SXSW 2023 Interview: Sophie Jarvis on Turning a Bug Into a Feature in “Until Branches Bend”

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
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    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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SXSW 2020

InterviewsSXSW

SXSW 2020 Interview: Sam Davis and Rayka Zehtabchi on a Story to Embrace with “Just Hold On”

The "Period. End of Sentence" filmmakers talk about their new ride to remember with champion mutton buster Marlie McDonald.
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ReviewsSXSW

SXSW 2020 Review: “Insert Coin” Cracks the Code for an Entertaining History of Midway Games

For a company that found success getting real with games like "Mortal Kombat" and "NBA Jam," this candid history is an appropriate tribute.
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InterviewsSXSW

SXSW 2020 Interview: Geeta Gandbhir on Capturing a Place That Can Never Be Called Home with “Call Center Blues”

The director talks about placing audiences in the unsettled space of recent deportees attempting to find their footing in their new lives in Tijuana.
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InterviewsSXSW

SXSW 2020 Interview: Maria Finitzo on Identifying the Anatomy of Gender Inequality in “The Dilemma of Desire”

The director talks about her illuminating new film about the movement to rewrite history books through how biology is taught.
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ReviewsSXSW

SXSW 2020 Review: A Wild Idea for a New Form of Comedy Takes Shape in “For Madmen Only”

A profile of Del Close, the godfather of improv comedy, shares a spark of creativity with its subject.
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ReviewsSXSW

SXSW 2020 Review: The Uneasy Process of Grieving is Elegantly Aired Out in Katrine Philp’s “Beautiful Something Left Behind”

A deeply humane film about how the young process grief allows older audiences to understand what they're going through.
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InterviewsSXSW

SXSW 2020 Interview: Alexis Manya Spraic on Preserving the Mystery of the Magic Castle in “M for Magic”

The filmmaker talks about the fantastic story of the family responsible for the amazing staying power of an institution where things disappear all the time.
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ReviewsSXSW

SXSW 2020 Review: Lindsay Lindenbaum’s “Tomboy” Marches to the Beat of Its Own Drummer

A portrait of four female drummers that, like its subjects, isn't bound to convention.
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InterviewsSXSW

SXSW 2020 Interview: Katie Marovitch and Kerry Barker on the Pressing Issues of “Waffle”

A friendship that's so sweet on the surface quickly turns sour in this comedy short about a most curious pajama party.
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ReviewsSXSW

SXSW 2020 Review: Claire Oakley’s “Make Up” is a Different Kind of Nail Biter

The shine wears off in interesting ways in this drama about a young woman who starts to see the world differently.
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ReviewsSXSW

SXSW 2020 Review: A Wakaliwood Filmmaker Achieves Some Truly Special Effects in “Once Upon a Time in Uganda”

After all the wild and crazy films that Isaac Nabwana has made, his life story may exceed them.
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ReviewsSXSW

SXSW 2020 Review: Sworn to Protect, A Cop Brings Pain to Himself in Iram Parveen Bilal’s Compelling “I’ll Meet You There”

A Pakistani-American policeman finds his worlds colliding after long keeping them separate in this intelligent, nuanced drama.
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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