May 1, 2025 Isaac Gale and Ryan Olson on Diving Into the Deep End with a Musical Genius in “Swamp Dogg Gets His Pool Painted”
April 30, 2025 Hot Docs 2025 Interview: Bettina Perut and Iván Osnovikoff on the Big Impact of the Smallest Species in “Life Invisible”
May 1, 2025 Isaac Gale and Ryan Olson on Diving Into the Deep End with a Musical Genius in “Swamp Dogg Gets His Pool Painted”
April 30, 2025 Hot Docs 2025 Interview: Bettina Perut and Iván Osnovikoff on the Big Impact of the Smallest Species in “Life Invisible”
January 23, 2023 Sundance 2023 Interview: Rebecca Landsberry-Baker and Joe Peeler on a Righteous Fight for Freedom in “Bad Press”
January 23, 2023 Sundance 2023 Interview: Kayla Abuda Galang on the Homecoming of “When You Left Me on That Boulevard”
January 23, 2023 Sundance 2023 Interview: Liz Sargent on Learning to Let Go as a Form of Care in “Take Me Home”
January 23, 2023 Sundance 2023 Interview: Luis Fernando Puente on a Questionable Process in “I Have No Tears, and I Must Cry”
January 23, 2023 Sundance 2023 Review: A Larger Tragedy Emerges from a Disappearance in Erica Tremblay’s “Fancy Dance”
January 23, 2023 Sundance 2023 Review: Sebastian Silva’s “Rotting in the Sun” Finds a Director At His Best on His Worst Behavior
January 22, 2023 Sundance 2023 Review: “Going to Mars: The Nikki Giovanni Project” Has a Way With Words
January 21, 2023 Sundance 2023 Review: A Divided Land Creates a Conflicted Mind in the Emotionally Rich “Milisuthando”
January 21, 2023 Sundance 2023 Review: Noora Niasari’s “Shayda” Powerfully Outlines a Prison Without Bars
January 21, 2023 Sundance 2023 Review: “Aum: The Cult at the End of the World” Compelllingly Chronicles a Cultural Catastrophe
