DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
Interviews·12 min readInterview: Rob Burnett & Craig Roberts on Learning From “The Fundamentals of Caring”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: The Dark Side of the Power of Belief is Brought to Light in “Holy Hell”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: A Droll Documentarian & a Mystery Woman on the Run Conspire for Fun in “Jacqueline (Argentine)”
ReviewsSundance·2 min readSundance ’16 Review: It’s Easy to Fall Hard for Kerem Sanga’s “First Girl I Loved”
ReviewsSundance·3 min readSundance ’16 Review: Small Progressions, Big Moments in Kelly Reichardt’s Strong “Certain Women”
ReviewsSundance·3 min readSundance ’16 Review: Nate Parker’s “Birth of a Nation”: A Stirring, Necessary Corrective to Narratives About America’s Original Sin
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”