May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 20, 2025 Cannes 2025 Review: There’s a Method Behind the Madness in Julia Kowalski’s Unnerving “Her Will Be Done”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 20, 2025 Cannes 2025 Review: There’s a Method Behind the Madness in Julia Kowalski’s Unnerving “Her Will Be Done”
April 24, 2022 SIFF 2022 Review: After Bringing a Child Into the World, a Mother Looks to Her Own Return in “Lullaby”
April 21, 2022 San Francisco Film Fest 2022 Interview: A.K. Sandhu on How History Comes to Shape the Future in “For Love and Legacy”
April 18, 2022 SIFF 2022 Review: A Gap in a Marriage Brings Together the World in Andrea Brusa and Marco Scotuzzi’s Inventive “Lonely Voices”
April 17, 2022 SIFF 2022 Review: Zia Mohajerjasbi’s Arresting “Know Your Place” Explores a City’s Limits
April 17, 2022 SIFF 2022 Review: You Can’t Judge a Book By Its Cover in the Provocative “I’ll Show You Mine”
April 16, 2022 SIFF 2022 Interview: Elisa Levine on an Uncompromising Look at Life on the Streets in “Sweetheart Deal”
April 16, 2022 SIFF 2022 Review: “Are We Lost” Finds Quiet Moments of Connection in a Family Unmoored By Tragedy
April 16, 2022 SIFF 2022 Review: “The Pez Outlaw” Delightfully Dispenses With Nonfiction Tradition to Get at Another Truth
