February 18, 2025 Berlinale 2025 Review: “Monk in Pieces” Celebrates the Reverberations of a Distinctive Voice
February 18, 2025 Berlinale 2025 Review: Joy Gharoro-Akpojotor’s “Dreamers” Imagines a Liberation of the Mind
February 17, 2025 Berlinale 2025 Review: Charlotte Devillers and Arnaud Dufeys’ “We Believe You” Makes a Convincing Case Against a Flawed Legal System
February 16, 2025 Berlinale 2025 Review: Mehmet Akif Büyükatalay’s “Hysteria” is a Taut Tale of the Tape
February 18, 2025 Berlinale 2025 Review: “Monk in Pieces” Celebrates the Reverberations of a Distinctive Voice
February 18, 2025 Berlinale 2025 Review: Joy Gharoro-Akpojotor’s “Dreamers” Imagines a Liberation of the Mind
February 17, 2025 Berlinale 2025 Review: Charlotte Devillers and Arnaud Dufeys’ “We Believe You” Makes a Convincing Case Against a Flawed Legal System
February 16, 2025 Berlinale 2025 Review: Mehmet Akif Büyükatalay’s “Hysteria” is a Taut Tale of the Tape
June 19, 2021 Tribeca 2021 Interview: Michael Gassert and Sami Khan on Staying in the Game for “The Last Out”
November 13, 2020 DOC NYC 2020 Review: Baseball Becomes a Mind Game in Sami Khan and Michael Gassert’s “The Last Out”
November 9, 2019 DOC NYC ’19 Interview: Bruce Franks Jr., Sami Khan and Smriti Mundhra on Uncovering a Citizen’s Hidden Powers in “St. Louis Superman”