The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    SXSW 2023 Interview: Miranda Yousef on Capturing All the Different Shades of Thomas Kinkade in “Art for Everybody”

    SXSW 2023 Interview: Scott Lazer on Making Quite the Catch in “Ball People”

    SXSW 2023 Interview: Tomas Gomez Bustillo on the Divine Comedy of “Chronicles of a Wandering Saint”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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Rayka Zehtabchi

InterviewsSundance

Sundance 2022 Interview: Shaandiin Tome and Rayka Zehtabchi on a Rite of Passage in “Long Line of Ladies”

As a follow-up to the Oscar-winning "Period. End of Sentence," the filmmakers discuss capturing a Native American celebration of womanhood.
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A scene from "Period. End of Sentence"
Interviews

Interview: Rayka Zehtabchi on Documenting the Start of a Revolution in “Period. End of Sentence”

The filmmaker talks about the Oscar-shortlisted short about how a small machine empowers a group of women in rural India to change their fate for generations to come.
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InterviewsSXSW

SXSW 2021 Interview: Rayka Zehtabchi and Sam Davis on Creatively Recharging with “Are You Still There?”

A stalled car leaves a young woman at a crossroads, but at her lonliest, you can feel the world all around in this immersive drama.
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InterviewsSXSW

SXSW 2020 Interview: Sam Davis and Rayka Zehtabchi on a Story to Embrace with “Just Hold On”

The "Period. End of Sentence" filmmakers talk about their new ride to remember with champion mutton buster Marlie McDonald.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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