April 2, 2026 SXSW 2026 Review: Echoes of the Past Are Made to Reverberate in “The Man with the Big Hat”
April 1, 2026 SXSW 2026 Review: Walking the Plank Starts to Look Like a Springboard in Josh Plasse’s Genuine “The Pirate King”
April 2, 2026 SXSW 2026 Review: Echoes of the Past Are Made to Reverberate in “The Man with the Big Hat”
April 1, 2026 SXSW 2026 Review: Walking the Plank Starts to Look Like a Springboard in Josh Plasse’s Genuine “The Pirate King”
October 4, 2023 Miri Navasky, Maeve O’Boyle and Karen O’Connor on a Life of Resonance in “Joan Baez: I Am a Noise”
February 18, 2023 Berlinale 2023 Review: “Joan Baez: I Am a Noise” Delivers a Strong Portrait of the Fragility of Memories
May 28, 2020 Hot Docs 2020 Review: A Movement Comes Together in Aideen Kane, Lucy Kennedy, Maeve O’Boyle’s Electrifying “The 8th”
