BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
ReviewsTIFFTIFF ‘19 Review: Alice Winocour’s Sensational “Proxima” Has Real Gravitational PullEva Green reaches new heights in this tale of an astronaut caught in limbo between inspiring her young daughter and being present for her in the here and now. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
