The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Interview: Taika Waititi on “Boy,” the Boredom of Acting and the Excitement of Childhood

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Bill Ross

St Vincent in "Contemporary Color"
ReviewsSeattle Film Festival

SIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”

An exhilarating, living document as adventurous as the event it covers - David Byrne's grand musical experiment with Color Guard squads.
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ReviewsSundance

Sundance 2020 Review: Bill and Turner Ross Deliver a Stirring Cocktail with “Bloody Nose, Empty Pockets”

The "Tchoupitoulas" and "Western" filmmaker's latest snapshot of American culture is truly a sight for sore eyes.
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A scene from "Stranger in Paradise"
Festivals

True/False ’17 Dispatch #2: “Stranger in Paradise,” “Communion,” “Miss Kiet’s Children,” and “Brimstone & Glory”

An exuberant celebration in the streets was just the precursor for what was going on in the theaters in downtown Columbia, Missouri during the nonfiction fest.
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St. Vincent in a scene from "Contemporary Color"
Interviews

Interview: Bill & Turner Ross on Expanding the Spectrum with “Contemporary Color”

The fraternal directing duo behind "Western" talk about reinventing the concert film with David Byrne's radical reconception of a concert.
Read Story
Interviews

Interview: Bill and Turner Ross on the Great American Experiment of “Bloody Nose, Empty Pockets”

The directors behind "Western" talk about opening up their process to accurately reflect what it's like to currently live in "the land of the free."
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James Baldwin in "I Am Not Your Negro"
ReviewsTIFF

TIFF ’16 Review: Raoul Peck Reignites the Discussion Around Race Relations in “I Am Not Your Negro”

Revisiting James Baldwin's final unfinished novel brings a fresh perspective to America's original sin.
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A scene from Bill and Turner Ross' "Western"
Interviews

Interview: Turner and Bill Ross on Breathing New Life Into “Western”

The directors of "Tchoupitoulas" and "45365" create an unshakeable vision of the new American West.
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Kickstart This!SXSW 2012

Kickstart This! A Talk With Bill and Turner Ross About the SXSW Fave “Tchoupitoulas”

The sophomore film from the co-directors of the elegaic "45365" already found great success at SXSW, but a release beyond the festival circuit may not be in the cards unless they can clear the music rights with your help.
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Eagle Pass Mayor Chad Foster in "Western"
ReviewsSundance

Sundance ’15 Review: Bill and Turner Ross Cross Borders in “Western”

The directing duo behind the docs "45365" and "Tchoupitoulas" give us a vital, vibrant glimpse of the New West.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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