Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Bill & Turner Ross on Expanding the Spectrum with “Contemporary Color”
ReviewsSeattle Film Festival·3 min readSIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”
ReviewsSundance·2 min readSundance 2020 Review: Bill and Turner Ross Deliver a Stirring Cocktail with “Bloody Nose, Empty Pockets”
Festivals·7 min readTrue/False ’17 Dispatch #2: “Stranger in Paradise,” “Communion,” “Miss Kiet’s Children,” and “Brimstone & Glory”
Interviews·11 min readInterview: Bill and Turner Ross on the Great American Experiment of “Bloody Nose, Empty Pockets”
Kickstart This!SXSW 2012·3 min readKickstart This! A Talk With Bill and Turner Ross About the SXSW Fave “Tchoupitoulas”
ReviewsTIFF·2 min readTIFF ’16 Review: Raoul Peck Reignites the Discussion Around Race Relations in “I Am Not Your Negro”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: Bill and Turner Ross’ “Gasoline Rainbow” Sets Its Sights on New Horizons
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”