Roberto Minervini on Capturing the Haunting Quality of War in “The Damned”
The director discusses creating a bridge between the past and the present with this soul-stirring Civil War-set rumination on why we fight.
Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
A Parisian teen may see the complexities of her life as an obstacle, but a drama views her as a character rich in possibilities.
Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
The crafty drama concerns an educator who's come to enlighten a rural village at the turn of the 20th century and feels she's regressing.
Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
"BPM" director Robin Campillo brings his longtime collaborator's final film to the screen with the fire of a young man & considerable wisdom.
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L.A. Asian Pacific Film Festival Interview: Alika Maikau Tengan on Rewriting the Rules of the Road in “Molokaʻi Bound”
The director discusses this stirring drama about a parolee reclaiming his life and capturing working class life in Hawaii.
L.A. Asian Pacific Film Festival Interview: Jason Park on Operating at the Top of His Game in “Transplant”
The director discusses probing many dualities that make this drama singular as he follows an ambitious Korean-American surgical apprentice.
L.A. Asian Pacific Film Festival Interview: Naja Pham Lockwood On the Full Picture in “On Healing Land, Birds Perch”
The director discusses how the famed "Saigon Execution" photo may have helped end the Vietnam War, but was only the start for those tied to it.
