January 27, 2026 Sundance 2026 Interview: Sharon Liese on Covering Big News in a Small Town in “Seized”
January 27, 2026 Sundance 2026 Review: A Fragile Situation is Brought to Light in Liz Sargent’s Solid “Take Me Home”
January 26, 2026 Sundance 2026 Interview: Lily Platt on Being Addicted to the Drama in “Crisis Actor”
January 27, 2026 Sundance 2026 Interview: Sharon Liese on Covering Big News in a Small Town in “Seized”
January 27, 2026 Sundance 2026 Review: A Fragile Situation is Brought to Light in Liz Sargent’s Solid “Take Me Home”
January 26, 2026 Sundance 2026 Interview: Lily Platt on Being Addicted to the Drama in “Crisis Actor”
September 29, 2025 TIFF 2025 Review: A Boxer Fights for Her Life in the Ring and Outside of It in David Michôd’s “Christy”
September 24, 2025 TIFF 2025 Review: A Music Journalist’s Pause Becomes Reason to Press Play on Chandler Levack’s Magnificent “Mile End Kicks”
September 20, 2025 TIFF 2025 Review: Alice Winocour’s Highly Fashionable “Couture” Splendidly Weaves Reality Into the Pursuit of Dreams
September 19, 2025 TIFF 2025 Review: Saoirse Ronan Brings Class to Jonatan Etzler’s Deliciously Nasty Comedy “Bad Apples”
September 19, 2025 TIFF 2025 Review: Cal McMau’s Knockout Prison Drama “Wasteman” Offers a Shock to the System
September 17, 2025 TIFF 2025 Review: Time Mends a Brotherly Bond in a Unique Way in Bretten Hannam’s Evocative “Sk+te’kmujue’katik (At the Place of Ghosts)”
September 16, 2025 TIFF 2025 Interview: Álvaro Olmos Torrico and Marisol Vallejos Montaño on Finding Their Wings in “The Condor Daughter”
September 16, 2025 TIFF 2025 Review: Some Unexpected Culprits Show Up in Haifaa Al-Mansour’s Cunning Murder Mystery “Unidentified”
September 15, 2025 TIFF 2025 Review: Lee Sang-il’s Engrossing “Kokuho” Shows Where an Actor Gets His Killer Instincts
