March 27, 2025 Manthia Diawara on Capturing a Technology’s Blind Spots with “AI: African Intelligence”
March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
March 27, 2025 Manthia Diawara on Capturing a Technology’s Blind Spots with “AI: African Intelligence”
March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
October 3, 2024 TIFF 2024 Review: Sophie Deraspe’s “Shepherds” Finds Beauty in Breaking Away From the Flock
September 26, 2024 TIFF 2024 Review: An Author’s Voice Carries in Madeleine Hunt-Ehrlich’s Reverberant “The Ballad of Suzanne Césaire”
September 23, 2024 TIFF 2024 Review: William Bridges’ Sci-Fi Romance “All of You” Works Its Way Into Your Heart
September 22, 2024 TIFF 2024 Review: A Passing Moment Leaves a Deep Impression in Durga Bose-Chew’s Beguiling “Bonjour Tristesse”
September 18, 2024 TIFF 2024 Review: History’s Embrace May Be a Little Too Tight for Comfort in Sofia Bohdanowicz’s Exquisite “Measures for a Funeral”
September 17, 2024 TIFF 2024 Interview: Milad Tangshir and Ibrahima Sambou on Legging Out a Life in “Anywhere Anytime”
September 16, 2024 TIFF 2024 Review: Dea Kulumbegashvili Finds a Strong Way In to an Outside Operator in the Devastating “April”
September 16, 2024 TIFF 2024 Review: Personal Growth Takes Wild Directions in Giovanni Tortorici’s Deviously Charming “Diciannove”
September 16, 2024 TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”
