The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

    Tribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair

    Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

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    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

    A scene from Alexandra Cuerdo's "Ulam: Main Dish"

    LAAPFF ’18 Interview: Alexandra Cuerdo & Rey Cuerdo Jr. on Cooking Up Something Special with “Ulam: Main Dish”

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The Mentaculist

The Mentaculist

Extremely Reduced & Incredibly Diminished: Movie Characters Who Were Cut Out of the Final Film

By not making the final cut of "Extremely Loud and Incredibly Close," James Gandolfini joins a fairly illustrious club of actors who have seen major roles cut down to size.
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Hickey and Boggs and Cutter's Way at the New Beverly Cinema during Edgar Wright's "The Wright Stuff"
The MentaculistTo Live and Screen in L.A.

Nine Revelations From Edgar Wright’s The Wright Stuff III Series at the New Beverly

The director of "Scott Pilgrim Vs. the World" invaded the Los Angeles rep house.
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The Mentaculist

Seven Actors On Their Baddest Behavior When Playing Themselves

Al Pacino and Neil Patrick Harris are just two actors brave enough to attach their own names when sending up the personas they've built onscreen. Here's some of our other favorites.
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The Mentaculist

Five Ways Steve Jobs Changed the Movie Industry

The resignation of the Apple CEO means the end of an era, but his legacy goes far beyond being a technological innovator, changing the way we see movies and the movies we see. Here are the five ways his impact on the film industry will continue to be felt.
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The Mentaculist

When Spielberg, Raimi & Others Took a Backseat: The Five Most Famous 2nd Unit Directors of Recent Memory

Sometimes a way of keeping creative control or a friendly favor, the second unit director has sometimes been more famous than the person in the main director's chair. Here's a quartet who Steven Soderbergh will be following as he lenses some of the action for Gary Ross' adaptation of "The Hunger Games."
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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