The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    Tribeca 2022 Review: “Of Medicine and Miracles” Brings the Excitement of a Scientific Breakthrough From the Inside Out

    Cliff Curtis in "The Dark Horse"

    Interview: James Napier Robertson on Betting on “The Dark Horse”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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SXSW 2012

ReviewsSXSW 2012

SXSW ’13 Review: Dan Mazer’s “I Give It a Year” Gives Rom-Coms a Raucously Funny Rewrite

Sacha Baron Cohen's longtime collaborator makes his directorial debut and naturally takes a genre and turns it inside out to gutbusting effect.
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InterviewsSXSW 2012

SXSW ’13 Interview: Josh Izenberg on Skating with “Slomo,” an Inspiring Doc on a Neurologist Turned Spiritualist

The filmmaker behind this year's Best Documentary Short talks about how his dad led him to find the incredible subject of his new film, a former doctor with a high-flying lifestyle that gave it all up to fly high on skates on the beach boardwalks of San Diego.
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SXSW 2012

SXSW ’12 Review: “Electrick Children” Bursts With Energy Before Bursting at the Seams

A well-made coming-of-age story with touches of magical realism, the feature debut of Rebecca Thomas only begins to lose its way when its lead decides she's on a quest.
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SXSW 2012

SXSW ’12: The “Big” Blasts of Music in “Big Easy Express” and “Big Star: Nothing Can Hurt Me”

Making sure everything was big in Texas, the premieres of two eagerly awaited music docs had some extra oomph after their main subjects took the stage to perform post-screening at SXSW.
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InterviewsSXSW 2012

Anna Kendrick & Ron Livingston on Joe Swanberg’s Intoxicating “Drinking Buddies”

With just a story outline and a director, the stars of "Pitch Perfect" and "Office Space" talk about taking a leap of faith to make this beautifully improvised comedy about co-workers who flirt with taking their relationship beyond the office to the chagrin of their respective partners.
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David Nordstrom and Megan Boone in a scene from Adele Romanski's film "Leave Me Like You Found Me"
ReviewsSXSW 2012

Review: Adele Romanski’s Deeply Romantic “Leave Me Like You Found Me” is More Than a Walk in the Park

The directorial debut of the producer behind indie favorites "The Myth of the American Sleepover" and "The Freebie" proves to be every bit as accomplished in following a couple who have a harder time navigating their relationship than the wilderness.
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SXSW 2012

SXSW ’12 Interview: Brian Savelson on Navigating the Emotional Territory of “In Our Nature”

The writer/director of the relationship drama talks about his own connection to the story of two couples who share their worst with each other while trying to make the best of their long weekend together.
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SXSW 2012

SXSW Film 2012 Crib Sheet

All 130 features on just one page with links to trailers, schedules, social media addresses and more for every film.
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Branson performers in AJ Schnack and David Wilson's documentary film We Always Lie to Strangers
ReviewsSXSW 2012

SXSW ’13 Review: AJ Schnack & David Wilson’s Branson Doc “We Always Lie to Strangers” Conveys An Exquisite Truth

A newfangled take on an entertainment capital steeped in tradition should please audiences regardless of their feelings about Branson.
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SXSW 2012

SXSW ’12 Interview: Annie Eastman Dives Deeply Into Brazil’s “Bay of All Saints”

The director talks about making a documentary as strong as the resolve of three Brazilian women providing for their families in the country's water slums in uncertain times.
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Jamie Chung as Chong Kim in a scene from Megan Griffiths' film Eden.
InterviewsSXSW 2012

Interview: Megan Griffiths on Uncovering “Eden,” Bringing to Light Sex Trafficking in the U.S.

After winning awards at SXSW and the Seattle Film Fest last year, this harrowing drama is finally hitting theaters and its director talks about her own discovery of this amazing true story.
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Film NewsSXSW 2012

Whedon’s “Cabin in the Woods,” Åkerlund’s “Small Apartments” Are the Only Places to Stay During SXSW 2012

Joss Whedon and "Cloverfield" scribe Drew Goddard's horror deconstruction will open this year's festival while other highlights include the return of "Tiny Furniture" writer/director Lena Dunham and a new doc on Bob Marley from Kevin Macdonald.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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