January 4, 2025 Rashid Mashawari on Another Perspective on Palestine in the Anthology “From Ground Zero”
January 3, 2025 Darius Clark Monroe on Taking a Panoramic View of How a Society Functions in “Dallas, 2019”
January 4, 2025 Rashid Mashawari on Another Perspective on Palestine in the Anthology “From Ground Zero”
January 3, 2025 Darius Clark Monroe on Taking a Panoramic View of How a Society Functions in “Dallas, 2019”
February 2, 2021 Sundance 2021 Review: Isabel Bethencourt and Parker Hill’s “Cusp” Captures Life on the Edge
February 1, 2021 Sundance 2021 Interview: Anna Cobb and Jane Schoenbrun on Getting at Something Real About Our Virtual Lives in “We’re All Going to the World’s Fair”
February 1, 2021 Sundance 2021 Review: Natalia Almada’s Striking “Users” Explores Technology’s Reach and the Pull of Being Human
January 31, 2021 Sundance 2021 Review: A Woman Stung Becomes a Budding Entrepreneur in Blerta Basholli’s “Hive”
January 31, 2021 Sundance 2021 Interview: Ali El Arabi on How Soccer Opened Up Greater Goals in the Remarkable Refugee Story “Captains of Zaatari”
January 31, 2021 Hot Docs 2021 Review: Information is Power in Rintu Thomas and Sushmit Ghosh’s “Writing with Fire”
January 31, 2021 Sundance 2021 Interview: Erin Vassilopoulos on the Spellbinding Sister Act of “Superior”
January 30, 2021 Sundance 2021 Review: A College Application Season Becomes a Test for Society in Debbie Lum’s “Try Harder”
January 30, 2021 Sundance 2021 Review: “Bring Your Own Brigade” Offers a Breath of Fresh Air to a Consideration of Wildfires
January 30, 2021 Sundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day
