Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2022 Review: “Tantura” Profoundly Observes the War to Be Remembered
InterviewsSundance·8 min readSundance 2022 Interview: Sam Max on Driving Towards the Unknown in “Chaperone”
InterviewsSundance·11 min readSundance 2022 Interview: James P. Gannon on Finding Himself at a Crossroads with “Deerwoods Deathtrap”
ReviewsSundance·2 min readSundance 2021 Review: Peter Nicks’ “Homeroom” Offers A Spirited Education in Political Activism
ReviewsSundance·2 min readSundance 2021 Review: Life Reverberates in Ana Katz’s Enchanting “The Dog Who Wouldn’t Be Quiet”
ReviewsSundance·2 min readSundance 2021 Review: A Quest for the Perfect Partner Leads to Pacho Velez’s Lovely “Searchers”
ReviewsSundance·2 min readSundance 2021 Review: A Complicated Life is Unraveled in Christopher Makoto Yogi’s “I Was a Simple Man”
ReviewsSundance·3 min readSundance 2021 Review: A Legal Trailblazer Gets Their Due in “My Name is Pauli Murray”
InterviewsSundance·7 min readSundance 2021 Interview: Maisie Crow on Exploring the Increasingly Complex Borders of the American Dream in “At the Ready”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”