Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Andy Brown and Brian Lindstrom on Spotlighting A Musician Before Her Time in “Lost Angel: The Genius of Judee Sill”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Seattle Film Festival·12 min readSIFF ’16 Interview: Megan Griffiths on Growing Up in the Shadow of “The Night Stalker”
ReviewsSeattle Film Festival·3 min readSIFF ’16 Review: “In a Valley of Violence” Showcases the Dangerous Charm of Ti West
ReviewsSeattle Film Festival·3 min readSIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”
ReviewsSeattle Film Festival·2 min readSIFF ’16 Review: Zachary Shedd Visits the Darkest Corners of “Americana”
ReviewsSeattle Film Festival·2 min readSIFF ’18 Review: Even with a Heavy Conscience, Tolga Karacelik’s “Butterflies” Flutters
ReviewsSeattle Film Festival·2 min readSIFF ’18 Review: Nijla Mu’min Breathes New Life into a Coming-of-Age Story in “Jinn”
ReviewsSeattle Film Festival·3 min readSIFF ’19 Review: A Modern Romance Comes to Term in Carlos Marques-Marcet’s “The Days to Come”
ReviewsSeattle Film Festival·2 min readSIFF ’19 Review: Amber McGinnis’ Impressive “International Falls” Finds Comedy on Thin Ice
ReviewsSeattle Film FestivalUncategorized·3 min readSIFF ’16 Review: Authenticity Goes a Long Way in Nathan Adloff’s Winning “Miles”
ReviewsSeattle Film Festival·2 min readSIFF ’16 Review: Linas Phillips Shines Bright in “Rainbow Time”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”