June 11, 2025 Tribeca 2025 Review: A Restaurant’s Recipe for Success Has Some Unexpected Ingredients in Greg Olliver and Karim Raoul’s “Raoul’s, A New York Story”
June 10, 2025 Tribeca 2025 Interview: Charlotte Ercoli on Bringing a Distinct Flavor to “Fior di Latte”
June 10, 2025 Tribeca 2025 Interview: Terry Kennedy and Cody Sheehy on Reaching Unknown Depths in “The Last Dive”
June 10, 2025 Tribeca 2025 Review: Suzannah Herbert’s “Natchez” is One of the Great Documentaries of the 21st Century – and the 19th Century As Well
June 11, 2025 Tribeca 2025 Review: A Restaurant’s Recipe for Success Has Some Unexpected Ingredients in Greg Olliver and Karim Raoul’s “Raoul’s, A New York Story”
June 10, 2025 Tribeca 2025 Interview: Charlotte Ercoli on Bringing a Distinct Flavor to “Fior di Latte”
June 10, 2025 Tribeca 2025 Interview: Terry Kennedy and Cody Sheehy on Reaching Unknown Depths in “The Last Dive”
June 10, 2025 Tribeca 2025 Review: Suzannah Herbert’s “Natchez” is One of the Great Documentaries of the 21st Century – and the 19th Century As Well
January 20, 2024 Sundance 2024 Review: Michael Dweck & Gregory Kershaw’s “Gaucho Gaucho” Is At Home on the Range
December 2, 2023 Dances With Films 2023 Review: A Parolee Finds Redemption Hard to Come By in “Can’t Seem to Make You Mine”
November 14, 2023 DOC NYC 2023 Review: A Life Becomes a Work of Art in Lea Glob’s “Apolonia, Apolonia”
November 12, 2023 DOC NYC 2023 Review: “Uncropped” Leaves Nothing Out of the Frame in a Captivating Portrait of Photographer James Hamilton
November 12, 2023 DOC NYC 2023 Review: “Shari and Lamb Chop” Celebrates a Puppeteer Who Didn’t Always Have the Upper Hand
November 12, 2023 DOC NYC 2023 Review: “Anselm” Brings a Legendary Artist’s Influences to the Surface
