The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

    Tribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair

    Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

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    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

    Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

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Reviews

ReviewsTribeca Film Festival

Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

A trio of people in recovery from addiction are thrown back into their worst impulses in this propulsive New York-set thriller.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair

A woman's reconsideration of being told she needed a husband becomes a lively lesson in how to be single in this rollicking musical.
Read Story
ReviewsTribeca Film Festival

Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”

A father's decision that the end has come throws his daughter into a tailspin in this tender dramedy from director Floor van der Meulen.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: A Safe Space Falls Apart Morally if Not Structurally in Natalia Sinelnikova’s “We Might as Well Be Dead”

In a world gone mad, the conditions that made it untenable on the outside begin to creep into a safe haven in this clever satire.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

A slender thread connects a tapestry of stories revolving around people who grapple with the responsibility of carrying another's confidence.
Read Story
ReviewsTribeca Film Festival

Tribeca 2022 Review: Ray Romano’s “Somewhere in Queens” Exudes Confidence

In telling the story of a family where everyone is attempting to break free from their prescribed lives, its writer/director has a breakout.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: “Of Medicine and Miracles” Brings the Excitement of a Scientific Breakthrough From the Inside Out

The latest from "Born From Brothels" co-director Ross Kauffman illuminates how luck and science are both required to make medical progress.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: “Allswell” is a Satisfying Sister Act

Power trio Elizabeth Rodriguez, Daphne Rubin-Vega and Liza Colón-Zayas bring the heat to this dramedy where all life's problems are relative.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: Rodrigo Reyes’ “Sansón and Me” Becomes a Sensational Living Document

When a 19-year-old gets a life sentence as an accomplice to a crime, a filmmaker brilliantly does what he can to give that life back.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: Bryan Darling and Jesse Finley Reed’s “All Man: The International Male Story” is a Page-Turner

A revealing history of the provocative mail-order catalog that became a trojan horse for normalizing gay culture across America.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: Ellie Foumbi’s “Our Father the Devil” Offers Something Juicy to Stew On

A chef's past comes back to haunt her, or at least she thinks in this riveting drama with a star turn from Babetida Sadjo.
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ReviewsTribeca Film Festival

Tribeca 2022 Review: “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” is Note Perfect

The half-century collaboration that has yielded one of the definitive works of American literature gets a worthy celebration.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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