March 21, 2025 SXSW 2025 Review: A Life-Saving Act Puts A Hero’s Freedom Into Jeopardy in Anayansi Prado’s Powerful “Uvalde Mom”
March 18, 2025 SXSW 2025 Review: Grace Lee and Patty Ahn’s “Forever We Are Young” Chronicles an Equally Impressive Movement Off-Stage for Fans of BTS
March 21, 2025 SXSW 2025 Review: A Life-Saving Act Puts A Hero’s Freedom Into Jeopardy in Anayansi Prado’s Powerful “Uvalde Mom”
March 18, 2025 SXSW 2025 Review: Grace Lee and Patty Ahn’s “Forever We Are Young” Chronicles an Equally Impressive Movement Off-Stage for Fans of BTS
March 17, 2025 SXSW 2025 Review: A Sticky Situation Ends Up Being a Fair Bit of Fun in J Pinder’s “Cotton Candy Bubble Gum”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
September 15, 2024 TIFF 2024 Review: A Former War Correspondent Looks for Peace of Mind Amongst Her Own Tortured Family in “Tata”
June 27, 2024 DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
June 17, 2024 Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
June 13, 2024 Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
June 12, 2024 Tribeca 2024 Review: “Emergent City” Brings Urgency to a Slow-Motion Socioeconomic Crisis
June 9, 2024 Tribeca 2024 Review: Faith Pays Off in Time for “Sabbath Queen,” a Riveting Religious Odyssey
June 8, 2024 Tribeca 2024 Review: A Pair of Scientists Take a Course in Gender Studies in Celina Murga’s “The Freshly Cut Grass”
