June 12, 2025 Tribeca 2025 Review: Walter-Thompson Hernández’s “Kites” Earns Its Wings Channeling the Energy Required to Stay Afloat
June 11, 2025 Tribeca 2025 Review: A Restaurant’s Recipe for Success Has Some Unexpected Ingredients in Greg Olliver and Karim Raoul’s “Raoul’s, A New York Story”
June 10, 2025 Tribeca 2025 Interview: Charlotte Ercoli on Bringing a Distinct Flavor to “Fior di Latte”
June 10, 2025 Tribeca 2025 Interview: Terry Kennedy and Cody Sheehy on Reaching Unknown Depths in “The Last Dive”
June 12, 2025 Tribeca 2025 Review: Walter-Thompson Hernández’s “Kites” Earns Its Wings Channeling the Energy Required to Stay Afloat
June 11, 2025 Tribeca 2025 Review: A Restaurant’s Recipe for Success Has Some Unexpected Ingredients in Greg Olliver and Karim Raoul’s “Raoul’s, A New York Story”
June 10, 2025 Tribeca 2025 Interview: Charlotte Ercoli on Bringing a Distinct Flavor to “Fior di Latte”
June 10, 2025 Tribeca 2025 Interview: Terry Kennedy and Cody Sheehy on Reaching Unknown Depths in “The Last Dive”
May 14, 2025 Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
March 17, 2025 SXSW 2025 Review: A Sticky Situation Ends Up Being a Fair Bit of Fun in J Pinder’s “Cotton Candy Bubble Gum”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
September 15, 2024 TIFF 2024 Review: A Former War Correspondent Looks for Peace of Mind Amongst Her Own Tortured Family in “Tata”
June 27, 2024 DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
June 17, 2024 Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
June 13, 2024 Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
June 12, 2024 Tribeca 2024 Review: “Emergent City” Brings Urgency to a Slow-Motion Socioeconomic Crisis
June 9, 2024 Tribeca 2024 Review: Faith Pays Off in Time for “Sabbath Queen,” a Riveting Religious Odyssey