December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 7, 2024 American French Film Fest 2024 Review: The Promised Land Isn’t All That It’s Expected to Be Mareike Engelhardt’s Bold “Rabia”
October 29, 2024 AFI Fest 2024 Review: Passing On Becomes a Beautiful Part of Nature in Charlie McDowell’s “The Summer Book”
October 28, 2024 AFI Fest 2024 Review: A Rookie Cop Brings Fresh Eyes of a System of Justice in Sandhya Suri’s Engrossing “Santosh”
October 20, 2024 New Orleans Film Fest 2024 Review: Artemis Shaw and Prashanth Kamalakanthan’s “Removal of the Eye” Offers a Sharp Look at Parenting
October 18, 2024 Woodstock Film Fest 2024 Review: Ondi Timoner Compassionately Chronicles a Hospice That Gives Residents a New Lease on Life in “The Inn Between”
October 8, 2024 Beyond Fest 2024 Review: Galder Gatztelu-Urrutia’s “Rich Flu” Finds Value in Other Currencies Besides Cash
