May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
July 28, 2022 Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”
July 19, 2022 Outfest 2022 Interview: Harry Dodge, Steak House and Silas Howard on the Against All Odds Production of “By Hook or By Crook”
August 27, 2020 Outfest 2020 Review: A Broken Perspective is Pieced Back Together in Suzanne Guacci’s Tender “T11: Incomplete”
August 24, 2020 Outfest 2020 Review: The LGBT Community Heals from a War of Words in Patrick Sammon & Bennett Singer’s Energizing “Cured”
August 22, 2020 Outfest 2020 Review: Theater Kids Face a Complicated Reality in Jonathan Wysocki’s Winning “Dramarama”
August 22, 2020 Outfest 2020 Review: Matthew Fifer and Kieran Mulcare’s Evocative “Cicada” Moves at Its Own Speed
July 28, 2019 Outfest ’19 Review: James Sweeney’s “Straight Up” Is Cool to the Touch Yet Bursting with Heart
July 22, 2018 Outfest ’18 Interview: Alina Skrzeszewska on Taking a Different View Towards Skid Row in “Game Girls”
July 21, 2018 Outfest ’18 Interview: T Cooper on the Weight of Lifting Up the Transgender Community with the Bodybuilding Doc “Man Made”
