SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsL.A. Film Fest·10 min readL.A. Film Fest ’18 Interview: Lucien Bourjeily & Farah Shaer on Serving Up Food for Thought in “Heaven Without People”
InterviewsL.A. Film Fest·10 min readInterview: Miranda Bailey on the Strength of Being Decisive in “Being Frank”
InterviewsL.A. Film Fest·10 min readInterview: Sara Zandieh on Her Best Laid Plans for “Simple Wedding”
InterviewsL.A. Film Fest·10 min readL.A. Film Fest ’18 Interview: Tchaiko Omawale & Hope Olaide Wilson on Finding Peace of Mind in “Solace”
L.A. Film FestReviews·2 min readL.A. Film Fest ’18 Review: A Spirited Comedy Grows Out of Shakespearean Tragedy in “Ghost Light”
InterviewsL.A. Film Fest·10 min readL.A. Film Fest ’18 Interview: Kitao Sakurai on Making a Meal Out of “The Passage”
L.A. Film FestReviews·2 min readL.A. Film Fest ’18 Review: Abby Quinn & Stefanie Scott Light Up Laura Terruso’s “Good Girls Get High”
L.A. Film FestReviews·2 min readL.A. Film Fest ’18 Review: Sparks Fly in Stacie Passon’s Exquisite “We Have Always Lived in the Castle”
InterviewsL.A. Film Fest·10 min readL.A. Film Festival ’18 Interview: Ann Lupo on Finding the Fantasy “In Reality”
InterviewsL.A. Film Fest·10 min readL.A. Film Fest ’18 Interview: Amy Goldstein on A Rock ‘N’ Roll Survival Story in “Kate Nash: Underestimate the Girl”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”