Six years after her film debut with the acclaimed "Me and You and Everyone We Know," the multimedia artist is back with another daring new comedy about that age when life decisions can no longer be put off. She discusses her own personal "deadlines," why she doesn't like to flesh out her characters entirely and how she considers her latest to be a horror film.
Preparing for the apocalypse isn't a bad way to deal with a relationship crisis as the first-time filmmakers' breathtaking debut would have you believe. A talk about the six-year journey the film took to make it to the big screen with its director and star.
Producing an adaptation of a publishing phenomenon might sound like a big break, but bringing "The Help" to the big screen was anything but easy. With friends as collaborators, Brunson Green explains how a big blockbuster was born out of a small community.
The writing/directing duo behind the frightening festival fave reveal how some real-life creepiness made its way into their horror film and how they went about making the found-footage subgenre fun again.
It's ballsy for any writer/director to retell one of his home country's most beloved classics, but he discusses here how going by the book led to a startling new version of "Brighton Rock."
The writer/director talks about his reunion with his "Chateau" star Paul Rudd, his first collaboration with his sister, Vanity Fair writer Evgenia Peretz, his preferred rhythm for comedy, what he learned doing music videos and the end of his career as a bassist for The Lemonheads.
The director of "Reprise" returns with the story of a man trying to escape his twenties with no clear future in a film that confirms a bright one for its filmmaker. While in Toronto, Trier spoke about filming in his hometown, the power of a closeup and the "strange things that happen" in life and movies.
The filmmakers behind the elegant, elegaic Toronto Film Fest documentary about a nursing home talk about taking on a subject few do.
The fraternal directing duo and the star of "Puncture" discuss the making of the unconventional courtroom drama.
The writer/director of one of the year's most breathtaking films talks about the wait to get his directorial debut just right, the film's muted color palette, and his love of horror but distaste for gore.
One of the founders of the Upright Citizens Brigade and a director of Funny or Die shorts talk about teaming up for a full-blown musical with the outrageous "Freak Dance."