May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 2, 2023 Hot Docs 2023 Review: “Razing Liberty Square” Builds a Strong Case for How Communities Are Destroyed
May 1, 2023 Hot Docs 2023 Review: “Who’s Afraid of Nathan Law?” Captures the Evolution of a Political Revolution
April 29, 2023 Hot Docs 2023 Interview: Lukasz Konopa and Emil Langballe on Reenvisioning What is Justice in “Theatre of Violence”
April 26, 2023 Hot Docs 2023 Interview: Christian Einshøj on Getting to a Place with His Family He Couldn’t Reach on His Own in “The Mountains”
May 3, 2022 Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
May 1, 2022 Hot Docs 2022 Review: A Murder Exposes a Web of Corruption in “The Killing of a Journalist”
April 30, 2022 Hot Docs 2022 Review: A Strand of DNA Unravels Into a Fascinating Yarn in “Make People Better”
April 29, 2022 Hot Docs 2022 Interview: Nils Gaup on Painting a Different Picture of His Native Norway in “Images of a Nordic Drama”
May 1, 2021 May Bjerre Eiby and Louise Detlefsen on a Different Way to Look at Treating Dementia in “It Is Not Over Yet”
