The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Lola Quivoron on Hanging On to a Feeling in “Rodeo”

    Lise Akoka and Romane Gueret on Bringing the Best Out of “The Worst Ones”

    Amanda Kim on an Artist Who Reframed Everything in “Nam June Paik: Moon is the Oldest TV”

  • Reviews
    Reviews

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

    SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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Favorites

Favorites

Our Favorites 2019: The House Ava DuVernay Built with ARRAY

How the director of some of the decade's finest cinema used her rise to lift up other filmmakers.
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Tuesday Weld and James Caan in "Thief"
Favorites

Favorite Talks of ’13: Michael Mann on Going Back to Chicago for “Thief”

On how the Windy City became a maze for James Caan to burrow through.
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Favorites

Our Favorites 2020: How Mynette Louie Has Been Building a World Without Borders on Film

Used to rolling with the punches, the producer talks about delivering two knockouts herself during the pandemic in "Swallow" and "I Carry You With Me."
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FavoritesInterviews

Our Favorites 2021: Nash Edgerton on Keeping Cinema’s Best Running Joke Alive in “Shark”

The writer/director/actor discusses his triumphant trilogy of shorts, pulling off a master plan for a prankster whose jokes always backfire.
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Favorites

Our Favorites 2021: Composer Alex Weston on Making Waves in “The Novice”

The composer behind "The Farewell" discusses pulling the music out of a character's relentless competitive drive in this drama about rowing.
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Favorites

Our Favorites 2020: When Rooftop Films Projected the Strength of a City and of Cinema

After theaters were shut down to protect against the COVID-19 pandemic, the organization behind the outdoor screening series kept the lights on.
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Liz Cardenas filming "Imago"
FavoritesInterviews

Our Favorites 2018: Producer Liz Cardenas on Looking Ahead After “Never Goin’ Back”

The producer talks about drawing upon her varied experiences to become a steadying presence on set, even during a year that threw many curves.
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Jade Pettyjohn and Nicole Kidman in "Destroyer"
FavoritesInterviews

Our Favorites 2018: Cinematographer Julie Kirkwood on Picking Up the Pieces in “Destroyer”

The DP behind "I Am the Pretty Thing That Lives in the House" talks about creating a cohesive and dynamic visual scheme for the bold new thriller from Karyn Kusama about a cop barely holding it together.
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Barry Jenkins' "Moonlight"
Favorites

Our Favorites 2016: Lucas Leyva on “Moonlight” and the Magical Mix of the Borscht Corporation

The co-founder of the Miami artists' collective on making the introduction that led to one of 2016's best films & their year-around work to help filmmakers.
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Favorites

Our Favorites 2019: What Vanishing Angle Sees Over the Horizon

How an innovative production company has found the answer to what a 21st studio should look like by asking the right questions for a filmmaker needs.
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Favorites

Our Favorites 2021: How Final Cut for Real Presented the World with a New Reality

A look inside the most innovative documentary studio in the world, behind such films as "Flee" and "The Act of Killing."
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Scenes from "On Her Shoulders," "Bisbee '17," and "Shirkers"
FavoritesInterviews

Our Favorites 2018: Sound Designer Lawrence Everson on Making Docs That Reverberate

The expert sound designer talks about how he uses the ears to get inside the heads of complicated characters in "Bisbee '17," "On Her Shoulders" and "Shirkers."
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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