DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
FavoritesInterviews·14 min readOur Favorites 2021: Cinematographer Alice Brooks on Working the Room in “tick, tick… Boom”
Favorites·20 min readOur Favorites 2021: How Final Cut for Real Presented the World with a New Reality
FavoritesInterviews·10 min readOur Favorites 2021: Nash Edgerton on Keeping Cinema’s Best Running Joke Alive in “Shark”
Favorites·19 min readOur Favorites 2020: Lana Wilson on Setting the Stage for a Star to Shine at Her Brightest in “Miss Americana”
Favorites·14 min readOur Favorites 2020: When Rooftop Films Projected the Strength of a City and of Cinema
Favorites·14 min readOur Favorites 2020: How Mynette Louie Has Been Building a World Without Borders on Film
FavoritesInterviews·14 min readOur Favorites 2018: Cinematographer Julie Kirkwood on Picking Up the Pieces in “Destroyer”
FavoritesInterviews·12 min readOur Favorites 2018: Richard Lorber on Building a Sustainable Home for Classics of the Past and Future at Kino Lorber
FavoritesInterviews·11 min readOur Favorites 2018: Nina Paley on Setting the Table for “Seder-Masochism”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”