November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
February 20, 2023 Berlinale 2023 Review: A Show Must Go On in Talal Derki and Heba Khaled’s “Under the Sky of Damascus”
February 20, 2023 Berlinale 2023 Review: “Al Murhaqoon (The Burdened)” Takes On the Weight of the World
February 19, 2023 Berlinale 2023 Review: A Pair of Lonelyhearts Gets in Touch with Their Better Nature in Bas Devos’ “Here”
February 18, 2023 Berlinale 2023 Review: A Death Brings a Spark of Life in Susana Nobre’s “Cidade Rabat”
February 18, 2023 Berlinale 2023 Review: İlker Çatak’s “The Teachers’ Lounge” Offers Some Bedeviling Lessons
February 18, 2023 Berlinale 2023 Review: “Joan Baez: I Am a Noise” Delivers a Strong Portrait of the Fragility of Memories
February 20, 2022 Berlinale 2022 Review: A Family Fights Prescription, Medication and Otherwise, in Jamie Sisley’s Heartfelt “Stay Awake”
February 17, 2022 Berlinale 2022 Review: A Family Faces a Season of Change in Carla Simón’s Sublime “Alcarràs”
