SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
AFI FestReviews·2 min readAFI Fest 2023 Review: Hope Buoys Matteo Garrone’s Moving Migration Tale “Io Capitano”
AFI FestReviews·2 min readAFI Fest 2023 Review: Not a Second is Wasted in Wim Wenders’ “Perfect Days”
AFI FestReviews·2 min readAFI Fest 2023 Review: “Smoke Sauna Sisterhood” Affords a Chance to Blow Off Some Steam
AFI FestInterviews·11 min readAFI Fest 2023 Interview: Sabrina Doyle and Ron Eli Cohen on Letting Their Imaginations Run Wild in “Go for Grandma”
AFI FestReviews·2 min readAFI Fest 2022 Review: A Community of Watchmakers Plot Other Kinds of Revolutions Per Minute in Cyril Schäublin’s “Unrest”
AFI FestInterviews·6 min readAFI Fest 2021 Interview: Araceli Lemos on the Questions of Faith in “Holy Emy”
AFI FestInterviews·9 min readAFI Fest 2021 Interview: Nabil Ayouch on the Revolutions Per Minute of “Casablanca Beats”
AFI FestInterviews·10 min readInterview: Arie and Chuko Esiri on Not Losing Sight of Life in the City in “Eyimofe (This is My Desire)”
AFI FestReviews·3 min readAFI Fest 2020 Review: The Punishment Doesn’t Fit the Crime in Julia Hart’s Inventive Thriller “I’m Your Woman”
AFI FestReviews·2 min readAFI Fest 2020 Review: A Great Escape Becomes Child’s Play in “The Boy Behind the Door”
AFI FestReviews·2 min readAFI Fest 2020 Review: A Romance Takes Time in Angel Kristi Williams’ Seductive “Really Love”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”