DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
A Face in the Crowd·3 min readA Face in the Crowd: An Escape Comes From Within in Carlen May-Mann’s “Romance Package for Two”
A Face in the Crowd·6 min readA Face in the Crowd: Beck Kitsis Makes a Hell of an Introduction with “The Three Men You Meet at Night”
A Face in the Crowd·3 min readA Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”
A Face in the Crowd·4 min readA Face in the Crowd: Jim Cummings is Bringing Down the Gates for Filmmakers By Opening the Doors to a Short to Feature Lab
A Face in the Crowd·4 min readA Face in the Crowd: Britni West Seeks a Place of Her Own in “By Now I’ve Lived a Thousand Lives and None of Them Are Mine”
A Face in the Crowd·4 min readA Face in the Crowd: Shahrzad Davani on Breaking Down Borders with the Gut-Busting Comedy “F1”
A Face in the Crowd·2 min readA Face in the Crowd: Isabel Sandoval is Speaking Our Language with “Lingua Franca”
A Face in the Crowd·3 min readA Face in the Crowd: Bridey Elliott Turns “Clara’s Ghost” Into a Reality
A Face in the Crowd·3 min readA Face in the Crowd: Colin Healey Aims to Conjure Something Special With “For Entertainment Purposes Only”
A Face in the Crowd·2 min readA Face in the Crowd: Diversity is the Spice of Life in Kyle Henry’s “The Year That Changed Us”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”