May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
April 6, 2022 A Face in the Crowd: An Escape Comes From Within in Carlen May-Mann’s “Romance Package for Two”
September 4, 2019 A Face in the Crowd: Beck Kitsis Makes a Hell of an Introduction with “The Three Men You Meet at Night”
July 31, 2018 A Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”
July 16, 2018 A Face in the Crowd: Jim Cummings is Bringing Down the Gates for Filmmakers By Opening the Doors to a Short to Feature Lab
July 9, 2018 A Face in the Crowd: Britni West Seeks a Place of Her Own in “By Now I’ve Lived a Thousand Lives and None of Them Are Mine”
April 10, 2018 A Face in the Crowd: Shahrzad Davani on Breaking Down Borders with the Gut-Busting Comedy “F1”
August 9, 2016 A Face in the Crowd: Colin Healey Aims to Conjure Something Special With “For Entertainment Purposes Only”
August 4, 2015 A Face in the Crowd: Diversity is the Spice of Life in Kyle Henry’s “The Year That Changed Us”
