SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2021 Review: Peter Nicks’ “Homeroom” Offers A Spirited Education in Political Activism
ReviewsSundance·2 min readSundance 2021 Review: A Quest for the Perfect Partner Leads to Pacho Velez’s Lovely “Searchers”
InterviewsSundance·7 min readSundance 2021 Interview: Maisie Crow on Exploring the Increasingly Complex Borders of the American Dream in “At the Ready”
InterviewsSundance·11 min readSundance 2021 Interview: Anna Cobb and Jane Schoenbrun on Getting at Something Real About Our Virtual Lives in “We’re All Going to the World’s Fair”
ReviewsSundance·2 min readSundance 2021 Review: A Woman Stung Becomes a Budding Entrepreneur in Blerta Basholli’s “Hive”
ReviewsSundance·2 min readSundance 2021 Review: Life Reverberates in Ana Katz’s Enchanting “The Dog Who Wouldn’t Be Quiet”
ReviewsSundance·2 min readSundance 2021 Review: A Complicated Life is Unraveled in Christopher Makoto Yogi’s “I Was a Simple Man”
ReviewsSundance·3 min readSundance 2021 Review: A Legal Trailblazer Gets Their Due in “My Name is Pauli Murray”
ReviewsSundance·2 min readSundance 2021 Review: Isabel Bethencourt and Parker Hill’s “Cusp” Captures Life on the Edge
ReviewsSundance·2 min readSundance 2021 Review: Natalia Almada’s Striking “Users” Explores Technology’s Reach and the Pull of Being Human
InterviewsSundance·7 min readSundance 2021 Interview: Ali El Arabi on How Soccer Opened Up Greater Goals in the Remarkable Refugee Story “Captains of Zaatari”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”