Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2021 Review: Life Gets Nasty in Prano Bailey-Bond’s First-Rate “Censor”
InterviewsSundance·9 min readSundance 2021 Interview: Mike Attie and Meghan O’Hara on Learning How the World Works in a Single Day in “The Field Trip”
InterviewsSundance·9 min readInterview: Alex Wolf Lewis and Kaitlyn Schwalje on Bringing a Ray of Sunshine to “Snowy”
InterviewsSundance·9 min readSundance 2021 Interview: Julian Doan on Capturing the Wily Nature of Grief in “Raspberry”
InterviewsSundance·8 min readSundance 2021 Interview: Jay Rosenblatt on the Burden of Memories in “When We Were Bullies”
InterviewsSundance·7 min readSundance 2021 Interview: Gregory Barnes on Getting the Right Feel for “The Touch of the Master’s Hand”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”