Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca ’17 Review: “Hondros” Finds the Best of Humanity in the Midst of War
Tribeca Film Festival·8 min readTribeca ’17 Interview: Laura Moss on Burning Down Horror Tropes in “Fry Day”
ReviewsTribeca Film Festival·2 min readTribeca ’17 Review: The Transcendent Life of a Man Who Prevents Death in Lana Wilson’s “The Departure”
InterviewsTribeca Film Festival·12 min readTribeca ’17 Interview: Justin Benson, David Lawson & Aaron Moorhead on Restarting a Cycle with “The Endless”
Tribeca Film Festival·8 min readTribeca ’17 Interview: Delaney Buffett & Chloe Corner on Making a Splash with “The Spring”
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InterviewsTribeca Film Festival·12 min readTribeca ’17 Interview: Ashley Connor, Josephine Decker & Zefrey Throwell on Stoking “Flames”
ReviewsTribeca Film Festival·3 min readTribeca ’17 Review: “My Friend Dahmer” is a Singular Film on the Famed Serial Killer
Tribeca Film Festival·7 min readTribeca ’17 Interview: Lorraine Nicholson on Letting People in With the Buoyant “Life Boat”
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Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”