March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
March 22, 2025 SXSW 2025 Review: The Daisy Ridley-Led “We Bury the Dead” Gives New Life to a Zombie Thriller
March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
March 22, 2025 SXSW 2025 Review: The Daisy Ridley-Led “We Bury the Dead” Gives New Life to a Zombie Thriller
January 31, 2021 Hot Docs 2021 Review: Information is Power in Rintu Thomas and Sushmit Ghosh’s “Writing with Fire”
January 31, 2021 Sundance 2021 Interview: Erin Vassilopoulos on the Spellbinding Sister Act of “Superior”
January 30, 2021 Sundance 2021 Review: A College Application Season Becomes a Test for Society in Debbie Lum’s “Try Harder”
January 30, 2021 Sundance 2021 Review: “Bring Your Own Brigade” Offers a Breath of Fresh Air to a Consideration of Wildfires
January 30, 2021 Sundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day
January 30, 2021 Sundance 2021 Interview: Frida Kempff and Cecilia Milocco on Looking Inside Oneself to See a Way Out in “Knocking”
January 30, 2021 Sundance 2021 Review: Nuns Find a New Religion in Pedro Kos’ Galvanizing “Rebel Hearts”
January 30, 2021 Sundance 2021 Review: Kentucker Audley and Albert Birney’s “Strawberry Mansion” is the Stuff Dreams Are Made Of
January 29, 2021 Sundance 2021 Interview: Kate Tsang on Working Her Magic in “Marvelous and the Black Hole”
January 29, 2021 Sundance 2021 Interview: Julia Baylis and Sam Guest on Looking for Life in the Spaces In Between in “Wiggle Room”
