Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·11 min readSundance 2021 Interview: Sean Ellis on Bringing His Gifts to “The Cursed”
ReviewsSundance·3 min readSundance 2021 Review: A College Application Season Becomes a Test for Society in Debbie Lum’s “Try Harder”
InterviewsSundance·7 min readSundance 2021 Interview: Gregory Barnes on Getting the Right Feel for “The Touch of the Master’s Hand”
ReviewsSundance·2 min readSundance 2021 Review: Isabel Bethencourt and Parker Hill’s “Cusp” Captures Life on the Edge
InterviewsSundance·11 min readSundance 2021 Interview: Anna Cobb and Jane Schoenbrun on Getting at Something Real About Our Virtual Lives in “We’re All Going to the World’s Fair”
InterviewsSundance·9 min readInterview: Alex Wolf Lewis and Kaitlyn Schwalje on Bringing a Ray of Sunshine to “Snowy”
ReviewsSundance·3 min readSundance 2021 Review: A Legal Trailblazer Gets Their Due in “My Name is Pauli Murray”
InterviewsSundance·9 min readSundance 2021 Interview: Mike Attie and Meghan O’Hara on Learning How the World Works in a Single Day in “The Field Trip”
ReviewsSundance·2 min readSundance 2021 Review: Kentucker Audley and Albert Birney’s “Strawberry Mansion” is the Stuff Dreams Are Made Of
InterviewsSundance·7 min readSundance 2021 Interview: Maisie Crow on Exploring the Increasingly Complex Borders of the American Dream in “At the Ready”
ReviewsSundance·2 min readSundance 2021 Review: Life Gets Nasty in Prano Bailey-Bond’s First-Rate “Censor”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”