December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
February 8, 2021 Sundance 2021 Review: Peter Nicks’ “Homeroom” Offers A Spirited Education in Political Activism
February 8, 2021 Sundance 2021 Review: Life Reverberates in Ana Katz’s Enchanting “The Dog Who Wouldn’t Be Quiet”
February 8, 2021 Sundance 2021 Review: A Quest for the Perfect Partner Leads to Pacho Velez’s Lovely “Searchers”
February 7, 2021 Sundance 2021 Review: A Complicated Life is Unraveled in Christopher Makoto Yogi’s “I Was a Simple Man”
February 2, 2021 Sundance 2021 Review: A Legal Trailblazer Gets Their Due in “My Name is Pauli Murray”
February 2, 2021 Sundance 2021 Interview: Maisie Crow on Exploring the Increasingly Complex Borders of the American Dream in “At the Ready”
February 2, 2021 Sundance 2021 Review: Isabel Bethencourt and Parker Hill’s “Cusp” Captures Life on the Edge
February 1, 2021 Sundance 2021 Interview: Anna Cobb and Jane Schoenbrun on Getting at Something Real About Our Virtual Lives in “We’re All Going to the World’s Fair”
February 1, 2021 Sundance 2021 Review: Natalia Almada’s Striking “Users” Explores Technology’s Reach and the Pull of Being Human
January 31, 2021 Sundance 2021 Review: A Woman Stung Becomes a Budding Entrepreneur in Blerta Basholli’s “Hive”
January 31, 2021 Sundance 2021 Interview: Ali El Arabi on How Soccer Opened Up Greater Goals in the Remarkable Refugee Story “Captains of Zaatari”
