September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
March 30, 2023 Raj Patel and Zak Piper on Planting Seeds of Inspiration in “The Ants and the Grasshopper”
September 3, 2022 Venice Film Fest 2022 Review: A Life of Inner Peace May Have Prevented a Nuclear War in “A Compassionate Spy”
June 15, 2020 AFI DOCS 2020 Review: A Wide Open Election Brings Focus to the Issues Facing Chicago – and America – in Steve James’ Masterful “City So Real”
August 24, 2018 Interview: Steve James on the Education of Going Back to High School with “America to Me”
October 6, 2016 NY Film Fest ’16 Review: Only with Steve James, An Incomprehensible Injustice Adds Up in “Abacus: Small Enough to Jail”