The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Lola Quivoron on Hanging On to a Feeling in “Rodeo”

    Lise Akoka and Romane Gueret on Bringing the Best Out of “The Worst Ones”

    Amanda Kim on an Artist Who Reframed Everything in “Nam June Paik: Moon is the Oldest TV”

  • Reviews
    Reviews

    SXSW 2023 Interview: Sophie Jarvis on Turning a Bug Into a Feature in “Until Branches Bend”

    SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

    SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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movies

Amy Heckerling and Alicia Silverstone on the set of "Clueless"
To Live and Screen in L.A.

Amy Heckerling on “Clueless” – the Movie and Hollywood Execs – and the State of Women in Film

The writer/director of "Clueless" and "Fast Times at Ridgemont High" reflected on her career, the state of female filmmakers at a recent event at the Aero Theater in Santa Monica.
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Reviews

Review: Dominic Cooper Uses Both Barrels in “The Devil’s Double”

After threatening to break out as a big star for years, Dominic Cooper finds the role to do it with as a body double who must break free from his liege, Uday Hussein. Did we mention he plays both roles?
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The Mentaculist

When Spielberg, Raimi & Others Took a Backseat: The Five Most Famous 2nd Unit Directors of Recent Memory

Sometimes a way of keeping creative control or a friendly favor, the second unit director has sometimes been more famous than the person in the main director's chair. Here's a quartet who Steven Soderbergh will be following as he lenses some of the action for Gary Ross' adaptation of "The Hunger Games."
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Festivals

DocuWeeks 2011’s Three to See – “Better This World,” “The Carrier,” and “Unifinished Spaces”

There's plenty to bitch about the Academy Awards nomination process for documentaries, but at least they give us this three-week festival in Los Angeles and New York where much of the best nonfiction cinema of the year will be presented. Here are our picks for three of the best.
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Reviews

Review: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”

The latest from the Spanish auteur behind genre mashups such as "800 Bullets" and "El Crimen Ferpecto" finds a home under the big top with this insane and insanely funny dark comedy about dueling clowns.
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Interviews

Interview: Whit Stillman Answers the Call of “Damsels in Distress”

After a 14-year absence from the big screen, the "Metropolitan" director hasn't missed a beat and talks about why he hates rehearsals, his unlikely start in the film business on the set of "Breaking Away" and the arrows in his cinematic quiver.
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Sean Penn making his directorial debut on Indian Runner
To Live and Screen in L.A.

Sean Penn Reflects on His Directorial Debut “The Indian Runner” 20 Years Later

The two-time Oscar-winning actor recalls asking Charles Bronson to shave his mustache on the set of his directorial debut and candidly discusses how he picks movies to make during a nearly 45-minute Q & A at the Aero Theatre in Santa Monica.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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