October 29, 2024 AFI Fest 2024 Review: Passing On Becomes a Beautiful Part of Nature in Charlie McDowell’s “The Summer Book”
October 28, 2024 AFI Fest 2024 Review: A Rookie Cop Brings Fresh Eyes of a System of Justice in Sandhya Suri’s Engrossing “Santosh”
October 29, 2024 AFI Fest 2024 Review: Passing On Becomes a Beautiful Part of Nature in Charlie McDowell’s “The Summer Book”
October 28, 2024 AFI Fest 2024 Review: A Rookie Cop Brings Fresh Eyes of a System of Justice in Sandhya Suri’s Engrossing “Santosh”
Venice Film Fest 2024 Review: A Mother Learns to Care for Herself in Anne-Sophie Bailly’s “Mon Inseparable (My Everything)” August 31, 2024
Venice Film Fest 2024 Review: A Pricing Scheme Pays Major Dividends in Kiyoshi Kurosawa’s Preposterously Fun “Cloud” August 31, 2024
Telluride Film Fest 2024 Review: A Dog to Walk Leads an Author Out of Writer’s Block in Scott McGehee and David Siegel’s “The Friend” August 31, 2024
Telluride Film Fest 2024 Review: A Childhood Dream Becomes a Nightmare in the Entertaining “Casa Bonita Mi Amor” August 30, 2024
Venice Film Fest 2024 Review: A Woman of the World Adopts a New Attitude in Alessandro Cassigoli and Casey Kauffman’s “Vittoria” August 30, 2024
Venice Film Fest 2024 Review: “One to One: John and Yoko” Shows How a Power Couple Stayed Attuned to the Times August 30, 2024
Venice Film Fest 2024 Review: Andres Veiel’s “Riefenstahl” Shows an Image-Conscious Director’s Most Sculpted Narrative Was Her Own August 29, 2024
Venice Film Fest 2024 Interview: Moara Passoni on Getting in Touch with an Inner Nature in “My Mother is a Cow” August 29, 2024
