November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 3, 2024 Venice Film Fest 2024 Review: A Young Woman Contends With Unexpected Daddy Issues in Vojtĕch Strakatý’s “After Party”
September 3, 2024 Venice Film Fest 2024 Review: Sarah Friedland’s “Familiar Touch” Shows a Great Deal of Sensitivity
September 2, 2024 Venice Film Fest 2024 Review: Xiaoxuan Jiang’s “To Kill a Mongolian Horse” Vividly Depicts A Changing Climate for Inner Mongolia
September 2, 2024 Venice Film Fest 2024 Review: “The Story of Frank and Nina” Offers a Trio of Teens a Chance to (Creatively) Rewrite Their Destiny
September 1, 2024 Venice Film Fest 2024 Review: Chaos Grows Around a Farmer in Frédéric Farrucci’s Fierce “The Mohican”
August 31, 2024 Venice Film Fest 2024 Review: A Different Fight for Resistance Emerges in Gianni Amelio’s “Campo Di Battaglia”
August 31, 2024 Venice Film Fest 2024 Review: A Mother Learns to Care for Herself in Anne-Sophie Bailly’s “Mon Inseparable (My Everything)”
August 31, 2024 Venice Film Fest 2024 Review: A Pricing Scheme Pays Major Dividends in Kiyoshi Kurosawa’s Preposterously Fun “Cloud”
August 30, 2024 Venice Film Fest 2024 Review: A Woman of the World Adopts a New Attitude in Alessandro Cassigoli and Casey Kauffman’s “Vittoria”
August 30, 2024 Venice Film Fest 2024 Review: “One to One: John and Yoko” Shows How a Power Couple Stayed Attuned to the Times
August 29, 2024 Venice Film Fest 2024 Review: Andres Veiel’s “Riefenstahl” Shows an Image-Conscious Director’s Most Sculpted Narrative Was Her Own
