May 1, 2025 Isaac Gale and Ryan Olson on Diving Into the Deep End with a Musical Genius in “Swamp Dogg Gets His Pool Painted”
April 30, 2025 Hot Docs 2025 Interview: Bettina Perut and Iván Osnovikoff on the Big Impact of the Smallest Species in “Life Invisible”
May 1, 2025 Isaac Gale and Ryan Olson on Diving Into the Deep End with a Musical Genius in “Swamp Dogg Gets His Pool Painted”
April 30, 2025 Hot Docs 2025 Interview: Bettina Perut and Iván Osnovikoff on the Big Impact of the Smallest Species in “Life Invisible”
March 6, 2023 True/False 2023 Review: Silvia Del Carmen Castaños & Estefanía “Beba” Contreras’ “Hummingbirds” Sets the Mind Aflutter
March 4, 2023 True/False 2023 Review: A Habit Starts to Form in Elizabeth Mirzaei’s Breathtaking “Natalia”
March 4, 2023 True/False 2023 Review: “The Taste of Mango” Delivers a Powerful Love Letter from a Daughter to Her Mother
March 4, 2023 True/False Film Fest 2023 Review: A Village Thought to Be on Death’s Door Comes Alive in Maksym Melnyk’s “Three Women”
March 8, 2020 True/False 2020 Review: Where There’s Smoke, There’s Fire in Marnie Ellen Hertzler’s Blazingly Original “Crestone”
March 7, 2020 True/False 2020 Review: Even When the Top Official Has Little Control, “Mayor” Speaks With Authority
March 7, 2020 True/False 2020 Review: A Truly Radical Idea to Address Drug Addiction Takes Hold in Mia Donovan’s Gripping “Dope is Death”
March 5, 2019 True/False ’19 Review: James Blagden and Roni Moore Make “Midnight in Paris” a Prom Night to Remember
March 5, 2018 True/False ’18 Review: The Staggering Story of a Son Becoming a Father, Rok Biček Has It All in “The Family”
