November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 14, 2024 Alexis Spraic and Prudence Fenton on Keeping the Creative Juices Flowing in “The World According to Allee Willis”
November 14, 2024 Nabil Ayouch on Putting Passion Into a Song of Resistance in “Everybody Loves Touda”
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 14, 2024 Alexis Spraic and Prudence Fenton on Keeping the Creative Juices Flowing in “The World According to Allee Willis”
November 14, 2024 Nabil Ayouch on Putting Passion Into a Song of Resistance in “Everybody Loves Touda”
June 30, 2021 Tribeca 2021 Review: “All These Sons” Aims At Gun Violence Prevention on an Individual Level
June 30, 2021 Tribeca 2021 Interview: An Author of Rock History Gets His Own Chapter in Suzanne Joe Kai’s “Like a Rolling Stone: The Life & Times of Ben Fong-Torres”
June 29, 2021 Tribeca 2021 Review: A Father Wrestles with His Son’s Debt in Levan Koguashvili’s Spry Comedy “Brighton 4th”
June 29, 2021 Tribeca 2021 Review: “Peace by Chocolate” Offers a Beautifully Bittersweet Immigrant’s Story
June 23, 2021 Tribeca 2021 Review: A Pair of Actors Regain Their Creative Drive on the Road in “Glob Lessons”
June 23, 2021 Tribeca 2021 Review: A College Reunion Leads to a Real Big Chill in “All My Friends Hate Me”
June 21, 2021 Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
June 21, 2021 Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
June 19, 2021 Tribeca 2021 Interview: Michael Gassert and Sami Khan on Staying in the Game for “The Last Out”