April 1, 2025 Cleveland Film Fest 2025 Interview: Emily Sheskin on Putting It All Together in “Livestreams with GrandmaPuzzles”
March 31, 2025 Ryan J. Sloan and Ariella Mastroianni on Looking Towards Greater Horizons with “Gazer”
April 1, 2025 Cleveland Film Fest 2025 Interview: Emily Sheskin on Putting It All Together in “Livestreams with GrandmaPuzzles”
March 31, 2025 Ryan J. Sloan and Ariella Mastroianni on Looking Towards Greater Horizons with “Gazer”
January 28, 2025 Sundance 2025 Review: Eva Victor Turns A Case of Writer’s Block Into a Powerhouse in “Sorry, Baby”
January 27, 2025 Sundance 2025 Review: Heidi Ewing and Rachel Grady’s “Folktales” Delights With a Different Kind of High School Survival Story
January 26, 2025 Sundance 2025 Review: A Proponent for Peace Finds a New Way to Stand Up in “Coexistence, My Ass”
January 26, 2025 Sundance 2025 Review: A Father Strapped for Cash Shows a Lot of Love in Cole Webley’s Tender “Omaha”
January 25, 2025 Sundance 2025 Review: Amanda Kramer Kindly Offers a Place to Sit with One’s Thoughts in “By Design”
January 25, 2025 Sundance 2025 Review: Alireza Khatami Delivers a Chilling Study of Toxic Masculinity in “The Things You Kill”
January 25, 2025 Sundance 2025 Review: A Marriage of Youthful Energy and Naivete Leads to Nadia Fall’s Fiery “Brides”
January 24, 2025 Sundance 2025 Review: “2000 Meters to Andriivka” Powerfully Considers the Immeasurable Costs of War
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
