December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
August 15, 2024 Locarno Film Fest 2024 Review: Tato Kotetishvili’s “Holy Electricity” Delivers a Transformative Surge
August 11, 2024 Locarno Film Fest 2024 Review: Courtney Stephens and Callie Hernandez’s Ingenious “Invention” Has a Lot to Process
August 10, 2024 Locarno Film Fest 2024 Review: A Family Is Pulled Apart in Slow Motion in César Díaz’s Compelling “Mexico 86”
August 10, 2024 Locarno Film Fest 2024 Review: A Grim Start Leads to Lotfi Achour’s Rewarding “Red Path”
August 10, 2024 Locarno Film Fest 2024 Review: Ramon Zürcher’s Family Drama “The Sparrow in the Chimney” Gets On Like a House on Fire
August 8, 2024 Locarno Film Fest 2024 Review: A Life Spent Plotting Out Every Detail Becomes a Crime in Christoph Hochhäusler’s “Death Will Come”
August 8, 2024 Locarno Film Fest 2024 Review: A Mother Attempts to Write Herself Out of a Corner in “Salve Maria”
August 4, 2024 Fantasia Fest 2024 Review: Chris Stuckmann’s “Shelby Oaks” Reveals the Real Dangers of Chasing Ghosts
December 3, 2023 Red Sea International Film Fest 2023 Review: A Teacher Learns Something About Herself in Iram Parveen Bilal’s Shrewdly Image Conscious “Wakhri (One of a Kind)”
September 16, 2023 TIFF 2023 Review: The Echoes of Nature Reverberate in Margreth Olin’s Sensational “Songs of Earth”
August 31, 2023 Venice Film Fest 2023 Review: “Thank You Very Much” Pins Down the Genius of Andy Kaufman
August 9, 2023 Fantasia Fest 2023 Review: A Chase Takes a Different Direction in John Rosman’s Inventive “New Life”
