October 24, 2024 Matt Tyrnauer on Going for the Unexpected Run in “Carville: Winning is Everything, Stupid”
October 24, 2024 Matt Tyrnauer on Going for the Unexpected Run in “Carville: Winning is Everything, Stupid”
August 29, 2024 Venice Film Fest 2024 Review: Andres Veiel’s “Riefenstahl” Shows an Image-Conscious Director’s Most Sculpted Narrative Was Her Own
August 18, 2024 Locarno Film Fest 2024 Review: A Tragedy Has Unexpected Consequences in Laurynas Bareiša’s Inventive “Drowning Dry”
August 17, 2024 Locarno 2024 Review: A Virtuoso Emerges in Marco Tullio Giordana’s Masterful “The Life Apart”
August 15, 2024 Locarno Film Fest 2024 Review: Tato Kotetishvili’s “Holy Electricity” Delivers a Transformative Surge
August 11, 2024 Locarno Film Fest 2024 Review: Courtney Stephens and Callie Hernandez’s Ingenious “Invention” Has a Lot to Process
August 10, 2024 Locarno Film Fest 2024 Review: A Family Is Pulled Apart in Slow Motion in César Díaz’s Compelling “Mexico 86”
August 10, 2024 Locarno Film Fest 2024 Review: A Grim Start Leads to Lotfi Achour’s Rewarding “Red Path”
August 10, 2024 Locarno Film Fest 2024 Review: Ramon Zürcher’s Family Drama “The Sparrow in the Chimney” Gets On Like a House on Fire
August 8, 2024 Locarno Film Fest 2024 Review: A Life Spent Plotting Out Every Detail Becomes a Crime in Christoph Hochhäusler’s “Death Will Come”
August 8, 2024 Locarno Film Fest 2024 Review: A Mother Attempts to Write Herself Out of a Corner in “Salve Maria”
August 4, 2024 Fantasia Fest 2024 Review: Chris Stuckmann’s “Shelby Oaks” Reveals the Real Dangers of Chasing Ghosts
December 3, 2023 Red Sea International Film Fest 2023 Review: A Teacher Learns Something About Herself in Iram Parveen Bilal’s Shrewdly Image Conscious “Wakhri (One of a Kind)”
